Tag: Keith Haring

November 20, 2019

SEDECIM XVI
Group Exhibition

November 22, 2019 – January 24, 2020
Presented by Woodward Gallery at the
Down Town Association, 60 Pine Street, NYC
Opening Reception: December 6th from 6-8pm

Featuring: Willem de Kooning, Natalie Edgar, Richard Estes, Paul Gauguin, Richard Hambleton, Keith Haring, David Hockney, Robert Indiana, Franz Kline, Roy Lichtenstein, Margaret Morrison, Kenji Nakayama, Terence Netter, Robert Rauschenberg, James Rosenquist, Andy Warhol


Woodward Gallery presents Sedecim, a group exhibition of sixteen distinctive artists. Each artist harnesses the power of the materials and ideals of their time to challenge the conventional wisdom of art.


A 1967 painting by Willem de Kooning elevates waves of color to an abstract mountain ridge while Natalie Edgar deftly employs negative space with color to take the viewer on her abstract journey. Original works on paper by Franz Kline confidently show action and movement with little color or discernible forms. British Artist David Hockney’s series from the Six Fairy Tales from the Brothers Grimm invites the imagination to roam freely. A former Jesuit priest Terence Netter paints minimalist landscapes in an offering of serenity.Conceptual Artist Richard Hambleton is known for his energetically painted black figures jumping, running, lurking on urban walls around the world. His Shadowman, painted permanently on canvas, stands with confidence in order to evoke our reaction. Paul Gauguin contrasts darkness with the rawness of a primitive style in his woodblock prints. The cartoon icons of Keith Haring simply announce his pop culture message. Robert Indiana emphasizes his important message of L-O-V-E and H-O-P-E in capital letters, arranged in a square with a tilted letter “O”. Pop art cartoon figures and text are combined in parody in Roy Lichtenstein’s work.Richard Estes creates and masterfully renders photorealist cityscapes. Margaret Morrison tantalizes us with her realist oil paintings of decadent Italian beverages. James Rosenquist adapts the visual language of advertising and pop culture to the context of fine art. Andy Warhol in his pre-pop work creates a whimsical series of society recipes catering more to the artistic than the culinary — more to expressionism than to realism. Warhol’s early ink drawings are rendered in clean lines displaying his exceptional draftsmanship of figures. Kenji Nakayama unites organic flora and urban scenes in precise multi-layered stencils using spray paint. Robert Rauschenberg’s use of solvent transfer, collage and silkscreen are previously used only in the commercial process.


Together these sixteen artists represent over one hundred years of art inspiring and transcending their genres. Woodward Gallery is available online (WoodwardGallery.net), always through the Gallery’s street-level windows, and by private appointment.


Selected Press
WIDEWALLS, Sixteen Artists Spanning Centuries Take Over Woodward Gallery, November 2019
Wall Street International Magazine, Sedecim, December 2019

July 30, 2016



Group Exhibition
September 10 – October 28, 2016
Woodward Gallery

The Fall Art Season opens as if nature has been saving up all year for its grand finale. For the first time at Woodward Gallery, a group exhibition is presented in salon format featuring 61 artists and 129 works of art!


An environment of art styles and mediums engulf the gallery walls offering quality, variety and substance for the collector who yearns to feel inspired. The array of Artists makes for a breathtaking visual spectacle.


This NYC Salon is accessible to beginning collectors and art connoisseurs alike.


Artists: Michael Alan, Royce Bannon, Rick Begneaud, David Bishop, Jonathan Borofsky, Susan Breen, Brock, Thomas Buildmore, El Celso, Patrick Christie, Deborah Claxton, Crash, Allan D’Arcangelo, Darkcloud, Jim Dine, Annette Davidek, Marisol Escobar, Natalie Edgar, Tommy Flynn, BK FOXX, Sybil Gibson, Richard Hambleton, Keith Haring, Sarah Hauser, Hiro Ichikawa, Robert Indiana, Infinity, Jean Kigel, Franz Kline, Walt Kuhn, LAII, Sol Lewitt, Roy Lichenstein, Bill Martin, Knox Martin, Mark Mastroianni, Moody, Margaret Morrison, Malcolm Morley, Kenji Nakayama, Terence Netter, Roy Newell, Hank O’Neal, Claes Oldenburg, Louise Peabody, Jaggu Prasad, Mel Ramos, Ad Reinhardt, JMR/ JM Rizzi, Brad Robson, Maura Robinson, James Rosenquist, Jessica Hurley Scott, Matt Siren, stikman, Swoon, Francesco Tumbiolo, Jo Ellen Van Ouwerkerk, Nina Venus, Andy Warhol, and Charles Yoder.

September 12, 2015



September 12 – October 24, 2015
Woodward Gallery

This survey will recall past trends, exhibition themes and current inspirations by the Artists Woodward Gallery has featured throughout its decades long history. These Artists have all been exhibited at some time since 1994 reflecting the variety of the Gallery’s collection:


Peter Apelgren,

Jean Michel Basquiat,

Susan Breen,

Michael Brodeur,

El Celso,

Deborah Claxton,

Gregory Corn,

Alan D’Arcangelo,

Darkcloud,

Natalie Edgar,

Marisol Escobar,

Fab 5 Freddy,

Paul Gauguin,

Red Grooms,

Tom Hall,

Richard Hambleton,

Keith Haring,

Sarah Hauser,

Hiro Ichikawa,

Robert Indiana,

Jasper Johns,

Donald Judd,

Janice Johnson,

Franz Kline,

LAII,

Roy Lichtenstein,

Mark Mastroianni,

Knox Martin,

Moody,

Margaret Morrison,

Robbin Murphy,

Kenji Nakayama,

Neckface,

Terence Netter,

Don Nice,

Francis Picabia,

Jaggu Prasad,

Ad Reinhardt,

Drew Roth,

David Salle,

Matt Siren,

Frank Stella,

stikman,

Ellinor Ströström,

Philip Taaffe,

Francesco Tumbiolo,

Andy Warhol,

Charles Yoder,

“Charting Ground Zero”

September 12, 2009

New York
September 12 – October 30, 2009
Woodward Gallery

 

This Fall, Woodward Gallery will premiere a playful body of work from Keith Haring’s early years in New York. Some unique subway drawings, studio interiors and other never-before-exhibited works of art will further underscore Haring’s outstanding contribution, impact and relevance to art today.

 

During 1978-1980, Haring’s first years in New York, the art scene was moving out of established art galleries and museums and into nontraditional public spaces. The then-gritty actuality of NY was more vital than its gallery culture. Haring had adapted a quote from Artist Jean Dubuffet, “For myself, I aim for an art which would be in immediate connection with daily life which would start from our daily life and which would be a very direct and very sincere expression of our real life and moods.”


In 1978, Haring enrolled in School of Visual Arts (SVA) and refined his cartoon drawings. In 1979, he began to participate more in downtown culture, tuning into graffiti writers who spray-painted their tags or wrote with thick markers on the sides of subway cars or city walls. The young urban kids were being pulled into the expanding network of alternative art spaces. Haring additionally became involved with hip-hop culture, break dancers, the downtown clubs and DJs.


Riding the subway from his uptown apartment to the clubs, Haring noticed black paper hanging next to advertisements in the cars, awaiting the next ad. He used this opportunity to draw in chalk on the black paper with all sorts of childlike imagery: barking dogs, babies, unisex figures, spaceships, TV sets, etc. The outline style of imagery could be appreciated individually as cartoon cels or together to form a narrative. The subway drawings magnify Haring’s cartoons into a new Pop Art that at once was urban narrative, science fiction and hieroglyphics. These subway drawings initiated his first one man shows.


Haring experienced his first written review by Rene Ricard in 1981 in the article “The Radiant Child.” That article hailed Haring and his friend Jean-Michel Basquiat as the most original artists of the decade.


Haring’s work transcends the barrier between graffiti drawings and the world of fine art. His early chalk art on subway walls and sociopolitical murals were a response to New York street culture. Woodward Gallery will feature work from Keith Haring’s initial creative output in NYC.
Concurrently, Woodward Gallery also invites you to the Richard Hambleton New York exhibition from September 16th – September 29th at 560 Washington Street, 10am – 4pm, Tuesday- Friday.