Tag: stikman

July 30, 2016



Group Exhibition
September 10 – October 28, 2016
Woodward Gallery

The Fall Art Season opens as if nature has been saving up all year for its grand finale. For the first time at Woodward Gallery, a group exhibition is presented in salon format featuring 61 artists and 129 works of art!


An environment of art styles and mediums engulf the gallery walls offering quality, variety and substance for the collector who yearns to feel inspired. The array of Artists makes for a breathtaking visual spectacle.


This NYC Salon is accessible to beginning collectors and art connoisseurs alike.


Artists: Michael Alan, Royce Bannon, Rick Begneaud, David Bishop, Jonathan Borofsky, Susan Breen, Brock, Thomas Buildmore, El Celso, Patrick Christie, Deborah Claxton, Crash, Allan D’Arcangelo, Darkcloud, Jim Dine, Annette Davidek, Marisol Escobar, Natalie Edgar, Tommy Flynn, BK FOXX, Sybil Gibson, Richard Hambleton, Keith Haring, Sarah Hauser, Hiro Ichikawa, Robert Indiana, Infinity, Jean Kigel, Franz Kline, Walt Kuhn, LAII, Sol Lewitt, Roy Lichenstein, Bill Martin, Knox Martin, Mark Mastroianni, Moody, Margaret Morrison, Malcolm Morley, Kenji Nakayama, Terence Netter, Roy Newell, Hank O’Neal, Claes Oldenburg, Louise Peabody, Jaggu Prasad, Mel Ramos, Ad Reinhardt, JMR/ JM Rizzi, Brad Robson, Maura Robinson, James Rosenquist, Jessica Hurley Scott, Matt Siren, stikman, Swoon, Francesco Tumbiolo, Jo Ellen Van Ouwerkerk, Nina Venus, Andy Warhol, and Charles Yoder.

January 18, 2016

stikman
January – February, 2010
Woodward Gallery Project Space

Woodward Gallery presents the stikman: Double Vision installation on the Woodward Gallery Project Space.


The man on a wire image comes from the precarious nature of modern economic reality. The first large scale installation of the image was of the man on a wire that was stretched between two stacks of demolition debris. He was surrounded by a mass of falling figures that were reflective on one side and black on the reverse. There have been many paste-ups installed using the man (made of maps) on a line (wire) between two verticals. The man on the wire was attached to the top of two stacks of shipping pallets. The stacks were erected in an overgrown lot that had been cleared to build luxury condos, but is now abandoned. This installation is homage to that lot at sunrise.


Since the early 1990’s the artist behind these images has been exploring the realm of a mysterious man made out of sticks and pressed into a soft clay tablet. The basic elements of the original stickman continue to reveal themselves in ever changing forms.


Some observers claim to see shamanistic qualities in these feral glyphs and votives. The figures populate the urban environment with their endless repetition and variation, embellishing the ordinary streetscape while revealing the consequences of the physical world’s forces on an idea. They become alive in the natural cycles that grind them out of existence as we observe their deterioration day after day.


stikman is a self taught artist. The first stikman wooden figures began appearing on urban streets as early as 1991 and with a strong, continuous presence ever since. There have been thousands of stickman images placed in US cities and towns as metaphor for the fragility of human life.

November 7, 2015



Thomas Buildmore, Terence Netter and stikman
November 7 – December 22, 2015
Woodward Gallery


Woodward Gallery’s exhibition unites Artists Thomas Buildmore, Terence Netter and stikman in Potentia Trium. The power of three offers a compelling close to the year. Stemming from different backgrounds, experience and ages their kindred spirits communicate a more powerful expression of their vision.


Thomas Buildmore approaches his art like a chef creates a new dish. He thinks of what he has enjoyed in his past and reinterprets with the available tools of his kitchen, savoring a uniquely recognizable flavor. When the fire is hot, little time is wasted as his ingredients mix to fully complete an entrée. Buildmore considers his art as American comfort food with European influences. His mastery of spray paint is the special essence he brings to the table. Taking inspiration from paintings by known masters, Buildmore consciously reconceives work with his colorful flare to develop the recipe for success.


Terence Netter is a former Jesuit priest who entered art with Abstract or Action paintings. By 2006, Netter had become a devotee and practitioner of Zen Meditation. He retired as Dean of the College of Fine Arts at Jacksonville University and was experiencing inner peace in the tranquil surroundings of his farmhouse in the Loire Valley, France. He shifted focus to paint landscapes in a minimalist style in order to capture the special light of the region. These are Netter’s “seeds of contemplation” providing opportunities for viewers to set aside mundane worries and preoccupations, and get in contact with nature in what Wordsworth called “The Great All.” Netter welcomes the viewer into his horizon to experience this inner peace.


The self taught Artist who constructs little men made of sticks, known as stikman, has less of a spiritual cognition, and has an obscure fascination with urban decay. His goal may be to show that everything is ephemeral and nothing stays the same. He believes that art should speak for itself, hence he has maintained an anonymity—and allure—since living in the Germantown section of Philadelphia during college in 1970. He started to build his figurative stick entities in lower Manhattan the next year.

Evolution forced by gravity, time and the vast expanse of human activity are interconnected in his work. (The stikman body of work on exhibition is dedicated to the memory of Peter Carroll, a cherished member of the NYC creative community.)
The Potentia Trium is an inspiring, reflective and peaceful Art exhibition that contrasts with our current worldwide unrest.

September 12, 2015



September 12 – October 24, 2015
Woodward Gallery

This survey will recall past trends, exhibition themes and current inspirations by the Artists Woodward Gallery has featured throughout its decades long history. These Artists have all been exhibited at some time since 1994 reflecting the variety of the Gallery’s collection:


Peter Apelgren,

Jean Michel Basquiat,

Susan Breen,

Michael Brodeur,

El Celso,

Deborah Claxton,

Gregory Corn,

Alan D’Arcangelo,

Darkcloud,

Natalie Edgar,

Marisol Escobar,

Fab 5 Freddy,

Paul Gauguin,

Red Grooms,

Tom Hall,

Richard Hambleton,

Keith Haring,

Sarah Hauser,

Hiro Ichikawa,

Robert Indiana,

Jasper Johns,

Donald Judd,

Janice Johnson,

Franz Kline,

LAII,

Roy Lichtenstein,

Mark Mastroianni,

Knox Martin,

Moody,

Margaret Morrison,

Robbin Murphy,

Kenji Nakayama,

Neckface,

Terence Netter,

Don Nice,

Francis Picabia,

Jaggu Prasad,

Ad Reinhardt,

Drew Roth,

David Salle,

Matt Siren,

Frank Stella,

stikman,

Ellinor Ströström,

Philip Taaffe,

Francesco Tumbiolo,

Andy Warhol,

Charles Yoder,

“Charting Ground Zero”

January 10, 2015



January 10 – February 28, 2015
Woodward Gallery


Woodward Gallery boldly unites a group of twenty living artists working in different styles ranging from figurative to street, surreal to abstract. The exhibition is a cross sample of art Woodward exhibits highlighting the range of the Contemporary market.


Richard Hambleton’s 1983 Dancing Shadowman sets the mood. Sabina Forbes II sets the table from a retro 50’s inspired still life into a colorful contemporary feast. Gabriel Specter takes over the gallery entrance with an exciting, aesthetic sculptural installation. Deborah Claxton stuns by assembling thousands of hand cut paper pieces to create a photographic image.


The featured artists are: Rick Begneaud, Susan Breen, Thomas Buildmore, Cycle, Deborah Claxton, Darkcloud, Natalie Edgar, Sabina Forbes II, Richard Hambleton, Hiro Ichikawa, JMR, Mark Mastroianni, Moody, Margaret Morrison, Kenji Nakayama, Terence Netter, Gabriel Specter, Jeremy Szopinski, stikman, and Jo Ellen Van Ouwerkerk.

 


Exhibition Press:
Widewalls
Wall Street International
The Villager

January 4, 2014

Group Show
January 4 – February 22, 2014
Woodward Gallery

Woodward Gallery launches their 20TH Anniversary Year with the group exhibition Sur-Real.
The exhibition title emphasizes each part of the word surreal to give us pause to search for the fantasy in each featured artist’s imagination. With broad strokes or subtle detail, new visions for what seem possible are evoked.


The individual artists step outside of the fundamental world of life and enter another dimension of the creative process. They work in fine contemporary painting, street art backgrounds, paper collage and screenprinting techniques, yet release the creative potential of their unconscious mind. Their work liberates our existence with insight into a new artistic reality.


The selected Artists: Jean-Michel Basquiat, Thomas Buildmore, Deborah Claxton, Sybil Gibson, Richard Hambleton, Kosbe, David Larson, Mark Mastroianni, Margaret Morrison, NoseGo, Kenji Nakayama, Dennis Oppenheim, Robert Rauschenberg, James Rosenquist, stikman, Jeremy Szopinski, Francesco Tumbiolo, Jo Ellen Van Ouwerkerk, Cristina Vergano, Kurt Vonnegut Jr. and Andy Warhol are an influential force reinterpreting our conventional thoughts and expressions.

July 6, 2013

Group Show
July 6 – July 31, 2013
Woodward Gallery

From the Street Up is a selection of celebrated urban artists who concentrate their creativity without walls. For centuries, humans leave tracks, symbols, and objects to record their location, time, and experience. It is an ancient form of documentation.

Woodward Gallery invited Artists Royce Bannon and Cassius Fouler to co-curate the exhibition. Each of the featured Artists are noted for their Public or Street art: John Ahearn, Michael Alan, Richard Hambleton, Robert Janz, NohJColey, Miguel Ovalle, Leon Reid IV, Skewville, Gabriel Specter, stikman, and UFO.

Since most people walk while looking down, urban artists can capture this line of vision by carefully selecting the location for their street sculpture to exist. The principals of concentration, curation and location help define the essence of the project. Removing the vulnerable factor by isolating the work indoors, permits us to finally experience the full theory behind the art–the creative focus of defying gravity. The exhibition walls are bare as the work is presented from the street up.